DYNAMAX TX8300 8-Channel 300W x 2 Powered Mixer
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DYNAMAX TX8300 8-Channel 300W x 2 Powered Mixer

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RM1,099.00
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OVERVIEW 

The ultra-slim professional powered Mixer 8 channels TX8300 takes full advantage of greater frequency response at a higher sound quality with phantom power for condenser microphones. The Dynamax Powered Mixing Console Series is the next evolution for flat response and sonic purifying that works perfectly to capture instrument performance and vocal professionally. Achieving sound quality, it's require redevelopment of the critical microphone preamplifier and equalizer with PAD switching channel for mic to line. Ideally fade out crosstalk attenuation and reduce high signals that often accompany with microphone instruments during performance for better sound quality standard delivery.


APPLICATION 

  • Studio 
  • Instrumental Performance 
  • Live Professional Theater 
  • Hotel Function Room
  • Conference Room
  • Large / Small Hall
  • Ballroom / Banquet Hall   
  • School Assembly Hall
  • Lecture / Tutorial Room
  • Exhibition Convention Center

FEATURES 

  • 8-Channel Mixing Console
  • Speaker Output Characteristic : A and B Speakon Connector (300W x 2 / 4ohm)
  • Max. 8 Mic/Line Input
  • High-grade Effects : 16 Programs
  • DSP99, 32-Bit / 40kHz
  • Dual Display
  • 7-Band Graphic Equalizer (EQ)
  • Level Indicator LED Display
  • MP3 / Bluetooth 2 Band EQ
  • PAD Switch on Mono Inputs
  • Phantom Power (Individual) : +48V 
  • XLR Balanced Outputs
  • Class AB Amplifier
  • Wall Type 
  • Rack Mount 
  • Space Saver 

SPECIFICATION 

 

MICROPHONE INPUTS (XENYX MIC PREAMP)
  • Type : XLR (Electronically Balanced, Discrete Input Circuit)
MIC E.I.N (20 Hz - 20 kHz)
  • @ 0 Ω source resistance : -134dB /135.7dB A-weighted
  • @ 50 Ω source resistance : -131dB /133.3dB A-weighted
  • @ 150 Ω source resistance : -129dB /130.5dB A-weighted
  • Frequency Response :
    • <10 Hz - 150 kHz (-1 dB)
    • <10 Hz - 200 kHz (-3 dB)
  • Gain Range : +10 to +60dB
  • Max. Input Level : +12 dBu @ +10dB Gain
  • Impedance : Approx. 2.6K Ω Balanced
  • Signal to Noise Ratio :
    • 110dB / 112dB A-weighted
    • 0 dBu In @ +22dB Gain
  • Distortion (T.H.D + N) : 0.005% / 0.004% A-weighted

    LINE INPUT

    • Type : 1/4” TRS Connector, Electronically Balanced
    • Impedance :
      • Approx. 20K Ω Balanced   
      • 10K Ω Unbalanced
    • Gain Range : -10 to +40dB
    • Max. Input Level : 30 dBu

      FADE-OUT ATTENUATION (CROSSTALK ATTENUATION)

      • Main Fader Closed : 90 dB
      • Channel Muted : 89 dB
      • Channel Fader Closed : 89 dB
      FREQUENCY RESPONSE

      • Microphone Input to Main Out :
        • <10 Hz - 90 kHz : +0 dB / -1 dB
        • <10 Hz - 160 kHz : +0 dB / -3 dB
      • Stereo Inputs :
        • Type : 1/4” TRS Connector, Electronically Balanced
        • Impedance : Approx. 20K Ω
        • Max. Input Level : +22 dBu
      • EQ Mono Channels :
        • Low : 80 Hz / ±15 dB
        • Mid : 100 Hz - 8 kHz / ±15 dB
        • High : 12 kHz / ±15 dB
      • EQ Stereo Channels :
        • Low : 80 Hz / ±15 dB
        • Low Mid : 500 Hz / ±15 dB
        • High Mid : 3 Hz / ±15 dB
        • High : 12 kHz / ±15 dB
      • AUX Sends :
        • Type : 1/4” TS Connector, Unbalanced
        • Impedance : Approx. 120 Ω
        • Max. Output Level : +22 dBu
      • Stereo AUX Returns :
        • Type : 1/4” TRS Connector, Electronically Balanced
        • Impedance : Approx. 20K Ω Balance / 10K Ω Unbalance
        • Max Input Level : +22 dBu
      • Main Outputs :
        • Type : XLR, Electronically Balanced and 1/4” TRS Balanced
        • 1622FX (only) : 1/4” TS Connector Unbalanced
        • Impedance : Approx. 240 Ω / 120 Ω Unbalanced
        • Max. Output Level : +28 dBu / +22 dBu
      • Control Room Outputs :
        • Type : 1/4” TS Connector Unbalanced
        • Impedance : Approx. 120 Ω
        • Max. Output Level : +22 dBu
      • Headphones Output :
        • Type : 1/4” TRS Connector, Unbalanced
        • Max. Output Level : +19 dBu / 150 Ω (+25dBm)

      DSP

      • Converter :
        • 24-Bit Sigma-Delta
        • 64/128-Times Oversampling
      • Sampling Rate : 40 kHz
      MAIN MIX SYSTEM DATA

      • Noise :
        • Main Mix @ -00, Channel Fader @ -00 : -101 dB / -100 dB
        • Main Mix @ 0 dB, Channel Fader @ -00 : -93 dB / -96 dB / -87 dB
        • Main Mix @ 0 dB, Channel Fader @ 0 dB : -81 dB / -83 dB / -80 dB
      • Power Supply :
        • Main Voltage : 240 V (50/60 Hz)
        • Power Consumption : 300W (4 ohm)
        • Fuse : 240V~:T 5A H 250V
        • Mains Connection : Standard IEC Receptacle

      *Measuring Conditions :

      1. 1 kHz rel. to 0 dBu; 20 Hz - 20 kHz; line input; main output; unity gain.
      2. 20 Hz - 20 kHz; measure at main output. Channel 1 - 4 unity gain; EQ flat; all channels on main mix; channels 1/3 as far left as possible, channels 2/4 as far right as possible. Reference = +6 dBu.

      OVERVIEW 

      The ultra-slim professional powered Mixer 8 channels TX8300 takes full advantage of greater frequency response at a higher sound quality with phantom power for condenser microphones. The Dynamax Powered Mixing Console Series is the next evolution for flat response and sonic purifying that works perfectly to capture instrument performance and vocal professionally. Achieving sound quality, it's require redevelopment of the critical microphone preamplifier and equalizer with PAD switching channel for mic to line. Ideally fade out crosstalk attenuation and reduce high signals that often accompany with microphone instruments during performance for better sound quality standard delivery.


      APPLICATION 

      • Studio 
      • Instrumental Performance 
      • Live Professional Theater 
      • Hotel Function Room
      • Conference Room
      • Large / Small Hall
      • Ballroom / Banquet Hall   
      • School Assembly Hall
      • Lecture / Tutorial Room
      • Exhibition Convention Center

      FEATURES 

      • 8-Channel Mixing Console
      • Speaker Output Characteristic : A and B Speakon Connector (300W x 2 / 4ohm)
      • Max. 8 Mic/Line Input
      • High-grade Effects : 16 Programs
      • DSP99, 32-Bit / 40kHz
      • Dual Display
      • 7-Band Graphic Equalizer (EQ)
      • Level Indicator LED Display
      • MP3 / Bluetooth 2 Band EQ
      • PAD Switch on Mono Inputs
      • Phantom Power (Individual) : +48V 
      • XLR Balanced Outputs
      • Class AB Amplifier
      • Wall Type 
      • Rack Mount 
      • Space Saver 

      SPECIFICATION 

       

      MICROPHONE INPUTS (XENYX MIC PREAMP)
      • Type : XLR (Electronically Balanced, Discrete Input Circuit)
      MIC E.I.N (20 Hz - 20 kHz)
      • @ 0 Ω source resistance : -134dB /135.7dB A-weighted
      • @ 50 Ω source resistance : -131dB /133.3dB A-weighted
      • @ 150 Ω source resistance : -129dB /130.5dB A-weighted
      • Frequency Response :
        • <10 Hz - 150 kHz (-1 dB)
        • <10 Hz - 200 kHz (-3 dB)
      • Gain Range : +10 to +60dB
      • Max. Input Level : +12 dBu @ +10dB Gain
      • Impedance : Approx. 2.6K Ω Balanced
      • Signal to Noise Ratio :
        • 110dB / 112dB A-weighted
        • 0 dBu In @ +22dB Gain
      • Distortion (T.H.D + N) : 0.005% / 0.004% A-weighted

        LINE INPUT

        • Type : 1/4” TRS Connector, Electronically Balanced
        • Impedance :
          • Approx. 20K Ω Balanced   
          • 10K Ω Unbalanced
        • Gain Range : -10 to +40dB
        • Max. Input Level : 30 dBu

          FADE-OUT ATTENUATION (CROSSTALK ATTENUATION)

          • Main Fader Closed : 90 dB
          • Channel Muted : 89 dB
          • Channel Fader Closed : 89 dB
          FREQUENCY RESPONSE

          • Microphone Input to Main Out :
            • <10 Hz - 90 kHz : +0 dB / -1 dB
            • <10 Hz - 160 kHz : +0 dB / -3 dB
          • Stereo Inputs :
            • Type : 1/4” TRS Connector, Electronically Balanced
            • Impedance : Approx. 20K Ω
            • Max. Input Level : +22 dBu
          • EQ Mono Channels :
            • Low : 80 Hz / ±15 dB
            • Mid : 100 Hz - 8 kHz / ±15 dB
            • High : 12 kHz / ±15 dB
          • EQ Stereo Channels :
            • Low : 80 Hz / ±15 dB
            • Low Mid : 500 Hz / ±15 dB
            • High Mid : 3 Hz / ±15 dB
            • High : 12 kHz / ±15 dB
          • AUX Sends :
            • Type : 1/4” TS Connector, Unbalanced
            • Impedance : Approx. 120 Ω
            • Max. Output Level : +22 dBu
          • Stereo AUX Returns :
            • Type : 1/4” TRS Connector, Electronically Balanced
            • Impedance : Approx. 20K Ω Balance / 10K Ω Unbalance
            • Max Input Level : +22 dBu
          • Main Outputs :
            • Type : XLR, Electronically Balanced and 1/4” TRS Balanced
            • 1622FX (only) : 1/4” TS Connector Unbalanced
            • Impedance : Approx. 240 Ω / 120 Ω Unbalanced
            • Max. Output Level : +28 dBu / +22 dBu
          • Control Room Outputs :
            • Type : 1/4” TS Connector Unbalanced
            • Impedance : Approx. 120 Ω
            • Max. Output Level : +22 dBu
          • Headphones Output :
            • Type : 1/4” TRS Connector, Unbalanced
            • Max. Output Level : +19 dBu / 150 Ω (+25dBm)

          DSP

          • Converter :
            • 24-Bit Sigma-Delta
            • 64/128-Times Oversampling
          • Sampling Rate : 40 kHz
          MAIN MIX SYSTEM DATA

          • Noise :
            • Main Mix @ -00, Channel Fader @ -00 : -101 dB / -100 dB
            • Main Mix @ 0 dB, Channel Fader @ -00 : -93 dB / -96 dB / -87 dB
            • Main Mix @ 0 dB, Channel Fader @ 0 dB : -81 dB / -83 dB / -80 dB
          • Power Supply :
            • Main Voltage : 240 V (50/60 Hz)
            • Power Consumption : 300W (4 ohm)
            • Fuse : 240V~:T 5A H 250V
            • Mains Connection : Standard IEC Receptacle

          *Measuring Conditions :

          1. 1 kHz rel. to 0 dBu; 20 Hz - 20 kHz; line input; main output; unity gain.
          2. 20 Hz - 20 kHz; measure at main output. Channel 1 - 4 unity gain; EQ flat; all channels on main mix; channels 1/3 as far left as possible, channels 2/4 as far right as possible. Reference = +6 dBu.